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USA Today - Claudia Puig
: After their best-picture Oscar for the violent No Country for Old Men, the Coens are back to misanthropic madness.
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B  
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Seattle Post-Intelligencer - Sean Axmaker
: ...one of the Coens' ayful projects...
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B  
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San Francisco Chronicle - Walter Addiego
: The actors are having a great time.
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B  
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Rolling Stone - Peter Travers
: ...a crazy-quilt comic thriller that takes on our growing national stupidity in the form of a sex farce.
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B  
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ReelViews - James Berardinelli
: This is a thriller with a high quotient of comedic elements or, if you prefer, a comedy with a high quotient of thriller elements.
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B  
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New York Times - Mahnola Dargis
: ...clubby, predictably self-amused comedy...
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C  
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New York Post - Kyle Smith
: Most audiences will find it a head-scratcher with a dismaying act of violence and a haphazard plot that fizzles out without any of the main characters on-screen.
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B-
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Los Angeles Times - Kenneth Turan
: A bleakly funny spoof on spy films as well as a melancholy riff on despairing lives...
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B+
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Hollywood Reporter - Kirk Honeycutt
: The Coen brothers are in a goofy mood as pure lunacy engulfs a spy thriller.
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B+
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filmcritic.com - Bill Gibron
: ...even in the clichéd arena of affairs of the heart, the boys are capable of something subversive, and quite special.
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B  
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Entertainment Weekly - Lisa Schwarzbaum
: ...overplowed...
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C  
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E! Online - Alex Markerson
: ...a welcome return to form after such throwaways as The Ladykillers and Intolerable Cruelty.
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B+
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Chicago Tribune - Geoff Berkshire
: ...perfectly good but never truly great.
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B  
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Chicago Sun-Times - Roger Ebert
: ...a screwball comedy that occasionally becomes something nobr>
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B  
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